In the middle of the day all of the shadows from the windows cast their beauty on each Serra piece. This was the day of Dress Rehearsal/Sound Check and pretty much perform for all of the major players of the DIA:Beacon Museum.
We each decided to have one hemispherical speaker in each structure. There were 4 large speakers (2 on each side of the gallery) on the outside of the gallery and we agreed on the importance of localized sound within our structures. In the end it really worked nicely for my structure which had the longest hallway to walk through before you got to the center. So my structure was like a huge speaker when I localized my sound.
Originally I place myself nearest to the back portion of the structure mainly because I didn't want people to fell like they were imposing on my space. Since the Serra pieces are so large I felt that it was a public space and so if they saw my back they would feel more at ease walking around.
Here is a map of the museum. We're in good company....
The shadow in my structure....
Merce and his assistant watching the dancers rehearse in the south wing, my structure is next to Merce.
Dancers in the north wing.
Merce was very hands on and watched his dancers every day during their warm up. They practice in silence, with Merce just clapping his hands to a 4/4 rhythm. It was very soothing to hear when your in a space like that.
Me, waiting for my cue....
The dancers really admired Merce, you can see their dedication to him in their body language. It was really inspiring to watch.
He speaks softly, but everything he has to say is important.
My view from my chair....god....I wish I was there right now.....
Saturday performance. Waiting for my cue.
I decided to move myself into the middle rather that closer to the back because I wasn't comfortable with the original set up. This felt better.
So each performance was 38 minutes long and each musician had to not play for 18 minutes of the 38. While the performance was happening people were free to walk into each structure, I kind of felt like a zoo animal.
These re all of the pictures that I have for the Saturday performance. Tomorrow will be the Sunday performance with photos of me with Merce and the crew, and one with Jasper Johns! He was really sweet and it was nice to have met him. Such an icon!
Traveling, performing, making, dressing and more...
WHEN AND WHERE I'LL BE 2010
May 15 2010
Brecht Forum with Gene Coleman
Brooklyn, New York, US
May 18 2010
Outpost 186, May 2010 Tour w/ Seeded Plain
Boston, Massachusetts, US
May 19 2010
Strange, May 2010 Tour with Seeded Plain
Portland, Maine
May 20 2010
L’Envers, May 2010 Tour w/ Seeded Plain
Montreal, Quebec, CA
May 21 2010
May 2010 Tour w/ Seeded Plain
Toronto, CA
May 22 2010
Dreamland Theater, May 2010 Tour w/ Seeded Plain
Detroit, Michigan
May 23 2010
Robinwood Concert House, May 2010 Tour w/ Seeded Plain
Toledo, Ohio
May 25 2010
Enemy, May 2010 Tour w/ Seeded Plain
Chicago, Illinois
May 26 2010
Sugar Maple, May 2010 Tour w/ Seeded Plain
Milwaukee, WI
May 27 2010
The Ritz Theater, May Tour 2010 w/ Seeded Plain
Minneapolis, MN
May 28 2010
Ames
Progressive, May 2010 Tour w/ Seeded Plain
Ames, Iowa
May 29 2010
Bemis Center, MAY 2010 Tour w/ Seeded Plain
Omaha, Nebraska
May 30 2010
Clawfoot House, May 2010 Tour w/ Seeded Plain
Lincoln, Nebraska
Jun 13 2010
Whitebox Gallery
NYC, New York
Jul 1 2010
Whitney Museum, Christian Marclay Retrospective w/ Marina Rosenfeld
NYC, New York
Jul 2 2010
Whitney Museum, Christian Marclay Retrospective w/ Elliot Sharp
NYC, New York
Jul 3 2010
Whitney Museum, Christian Marclay Retrospective w/ Elliot Sharp
NYC, New York
Jul 4 2010
Whitney Museum, Christian Marclay Retrospective w/ Elliot Sharp
NYC, New York
Jul 9 2010
Whitney Museum, Christian Marclay Retrospective w/ Marina Rosenfeld
NYC, New York
Jul 11 2010
Whitney Museum, Christian Marclay Retrospective w/ Alan Licht and Lee Ranaldo
NYC, New York